Moving downwards, through a small aperture the viewer is gradually exposed to the inner structure as the movie progresses.

The building design, which its limits and size are unknown, aspires to comprise Tokyo’s buildings all together.

The project deals with Tokyo’s generic buildings that have no windows, covered with advertisements and billboards.

The inner space has no partitions, and the contents create the surroundings.

The envelope of the building is insignificant.

As a result of the vertical city life, there is an unusual programmatic proximity that creates multiple realities, options and speeds in one single building.

With unexpected joints between the mixed programs of the building, the radical situations reveal, up to the point where the viewer is uncertain where he is at any moment.